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Qu'est-ce (qui) est émettre de la lumière - définition
![Autochrome colour picture by [[Jean-Baptiste Tournassoud]] of North-African soldiers, Oise, France, 1917.](https://commons.wikimedia.org/wiki/Special:FilePath/LumiereAlgerijnen.jpg?width=200 "Autochrome colour picture by [[Jean-Baptiste Tournassoud]] of North-African soldiers, Oise, France, 1917.")
The Lumière brothers (UK: , US: ; French: [lymjɛːʁ]), Auguste Marie Louis Nicolas Lumière (19 October 1862 – 10 April 1954) and Louis Jean Lumière (5 October 1864 – 6 June 1948), were French manufacturers of photography equipment, best known for their Cinématographe motion picture system and the short films they produced between 1895 and 1905, which places them among the earliest filmmakers.
Their screening of a single film on 22 March 1895 for around 200 members of the "Society for the Development of the National Industry" in Paris was probably the first presentation of projected film. Their first commercial public screening on 28 December 1895 for around 40 paying visitors and invited relations has traditionally been regarded as the birth of cinema. Either the techniques or the business models of earlier filmmakers proved to be less viable than the breakthrough presentations of the Lumières.
Wikipédia
The Lumière brothers (UK: , US: ; French: [lymjɛːʁ]), Auguste Marie Louis Nicolas Lumière (19 October 1862 – 10 April 1954) and Louis Jean Lumière (5 October 1864 – 6 June 1948), were French manufacturers of photography equipment, best known for their Cinématographecode: fra promoted to code: fr motion picture system and the short films they produced between 1895 and 1905, which places them among the earliest filmmakers.
Their screening of a single film on 22 March 1895 for around 200 members of the Society for the Development of the National Industry in Paris was probably the first presentation of projected film. Their first commercial public screening on 28 December 1895 for around 40 paying visitors and invited relations has traditionally been regarded as the birth of cinema. Either the techniques or the business models of earlier filmmakers proved to be less viable than the breakthrough presentations of the Lumières.
